Archive (18 total)
- Tags: working conditions
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Projection BoxesProjectionists' MemoriesArchival documentsJoan and Bill Pearson's scrap book imagesKinematograph Weekly / Ideal Kinema
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The Cinema Projectionist Archives hold a range of audio-visual resources documenting the working lives of cinema projectionists in Britain from the 1890s to the 2010s. Here you can find extracts from audio interviews with projectionists, videos, documents, magazine articles and possibly the world’s largest online collection of images of projection box. Navigate through the material by decade, theme, or type of material.
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Notice of closure - Aston Cinema, Birmingham
19/09/2017
Letter to Joan Pearson informing her of the closure of the A.B.C. Aston Cinema, Birmingham and her redeployment to the A.B.C. Sparkbrook, Birmingham in July 1969.
Single Manning
19/09/2017
Letter from the National Association of Theatre and Kine Employees (N.A.T.K.E.) providing details of the start of single-manning in 1969.
Letter of Promotion
19/09/2017
Copy of a letter to Joan Pearson concerning her promotion to the position of co-second projectionist, includes details of wages.
Showing 3-D Films (Joan Pearson)
21/03/2017
Projectionist Joan Pearson describes the process and problems of showing 3-D films.
Using platters (Neil Thompson)
29/12/2015
Projectionist Neil Thompson describes the process of using a platter (cake stand) projection system.
Light sources (Neil Thompson)
29/12/2015
Projectionist Neil Thompson describes the change in lighting technology from fast-burning carbon arc lamps to long-lasting xenon lamps.
Arrival of digital (Neil Thompson)
29/12/2015
Projectionist Neil Thompson descibes the arrival of digital projection in his cinema, including the timeline of the digital conversion.
Checking joins and making-up prints (Phil Fawke)
09/12/2015
Projectionist and cinema manager Phil Fawke describes the process of repairing film damage.
Arrival of digital (Phil Fawke)
09/12/2015
Projectionist and cinema manager Phil Fawke describes his experience of the arrival of digital projection, the changes in the number of projectionists over time, getting used to using the digital projector and the benefits of digital on picture…
Working as a relief projectionist (Mick Corfield)
08/12/2015
Projectionist and BECTU representative Mick Corfield describes his experiences working as a relief projectionist in a variety of cinemas around the UK.
Digital projection (Mick Corfield)
08/12/2015
Projectionist and BECTU representative Mick Corfield describes the moment he knew digital projectors would replace projectionists.
Automation (Mick Corfield)
08/12/2015
Projectionist and BECTU representative Mick Corfield describes is experiences of automated projection systems on the work of projectionists.
Routine as a rewind boy (Mike Williams)
04/12/2015
Projectionist Mike Williams describes his routine as a rewind boy.
Music (Mike Williams)
04/12/2015
Projectionist Mike Williams describes the process of selecting music to be played in the auditorium prior to film screenings.
Mealtimes (Mike Williams)
04/12/2015
Projectionist Mike Williams discusses the impact of working routines on mealtimes.
Making-up and breaking-down film prints (Mike Williams)
04/12/2015
Projectionist Mike Williams describes the process of making-up film prints ready for screening and breaking them down once finished.
Jobs around the cinema (Mike Williams)
04/12/2015
Projectionist Mike Williams describes the other duties carried out by projectionists outside the projection box including an accident where he fell through the ceiling of the cinema auditorium during a film screening.
Destroying a film print (Mike Williams)
04/12/2015
Projectionist Mike Williams tells the story of how he accidentally destroyed a print of A Woman in a Dressing Gown.